YAMAHA CL5 เครื่องผสมสัญญาณเสียง ดิจิตอล 80 ชาแนล 72 โมโน, 8 สเตอริโอ YAMAHA CL5 มิกเซอร์ดิจิตอล จากแบรนด์ YAMAHA
YAMAHA CL5 Digital Mixer มิกเซอร์ดิจิตอล เครื่องผสมสัญญาณเสียงแบบดิจิตอล
เฟดเดอร์ทั้ง 3 ชุดที่สร้างมาเพื่อประสิทธิภาพการควบคุมผ่านมือของเอ็นจิเนียร์ที่เหนือกว่า CL5 จึงเป็นตัวเลือกที่เหมาะสมสำหรับงานแสดงสดทุกขนาด
มาตรฐานคงที่ควบคู่ไปกับการพัฒนาอย่างไม่หยุดยั้ง
ยามาฮ่าดิจิตอลคอนโซล CL Series ตัวใหม่ ที่พัฒนาโดยทีมงานที่มีประสบการณ์ทำการพัฒนาในคุณภาพเสียงที่ให้ความบริสุทธิ์ของเสียงบวกกับความสามารถปรับแต่ง สร้างเสียงที่จะให้วิศวกรด้านเสียงจินตนาการความคิดสร้างสรรค์มากที่สุดเป็นประวัติการณ์
The pursuit of perfection is ongoing and will probably never end, but along the way Yamaha has introduced a number of innovations that have become industry standards offering performance and familiarity that discerning users continue to demand. By definition, “standards” are best kept as they are. With evolutionary refinements, of course.
- Input channels: 72 mono, 8 stereo.
- Fader configuration: 16-fader left section, 8-fader Centralogic section, 8-fader right section, 2-fader master section .
- Stainless steel stay for iPad support.
- Built-in meter bridge.
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Type:Digital
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Channels:32 + 2 master faders, 72 mono channel mixing plus 8 stereo channels
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Inputs – Mic Preamps:8 x XLR
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Phantom Power:8
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Outputs – Direct:8 x XLR (line out)
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Inputs – Digital:2 x RJ-45 (Dante)
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Outputs – Digital:2 x RJ-45 (Dante), 1 x XLR (AES/EBU)
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Busses/Groups:16 send Mix bus, 8 send Matrix bus
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Channel Inserts:Internal
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Talkback:1 x XLR
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MIDI I/O:In/Out
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Data I/O:1 x D-Sub GPI (15-pin female), 1 x Ethernet
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USB:1 x USB Type A
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Computer Connectivity:Ethernet
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I/O Expansion Slots:3 x Card slots available (DSP cards or mini-YGDAI cards)
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Headphones:1 x 1/4″
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Word Clock:In/Out
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Faders:26 x 100mm faders
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EQ Bands:4-band parametric channel EQ, 31-band Graphic EQ, 15-band flex EQ,
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Effects:Reverbs, Delays, Modulation, Premium Rack compressor modeling and more
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DAW Control:Yes (via Dante)
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Height:11.75″
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Depth:26.25″
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Width:41.5″
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Weight:79.4 lbs.
A Simple Daisy-chain System
Internal port switches allow the CL consoles to be easily set up for daisy-chain or star network configurations. In this example the Console at FOH position is directly connected to the I/O rack at the side of the stage. The network is self-configured. Of course the CL StageMix iPad app can be used even in simple systems like this one, and Dante Virtual Soundcard can be used to enable multitrack recording to a DAW such as Steinberg’s Nuendo.
A Flexible, Redundant Star Network
Star topologies can be configured with gigabit network switches. In this configuration, redundant connections to each device on the network ensure that a malfunction in one cable or network device will not disrupt the entire system. The Gain Compensation feature allows multiple consoles to control analog gain for a single I/O rack, for seamless integration of FOH and monitor operation. Multiple computers can be used for live recording, too.
* CL firmware V1.5 or later is required for Ri8-D analog gain control.
NEXO NXAMP Integration
Install the NXDT104 Dante Network Card in a NEXO NXAMP and it becomes possible to communicate with CL series consoles. In addition to basic audio transmission via the Dante network, NXAMP discovery and patching can be controlled from the CL console touch display. You have Dante networking from input to output, plus significantly enhanced overall operability.
* CL firmware V1.5 or later is required for Ri8-D analog gain control and NXAMP discovery and patching.
Live Sound Plus Production Capability
A Nuage Advanced Production System can be merged into a live sound system based on CL Series consoles and Rio Series I/O units via Dante. This makes it possible to provide a fully integrated network audio system that can handle both live sound and production in halls or theaters that have on-site recording rooms, for example. Since automatic gain compensation can be applied when Rio Series I/O units are used with CL Series consoles, analog gain adjustments in multiple CL consoles connected to a common Rio unit will not cause unwanted changes in overall level.
* CL firmware V1.5 or later is required for Ri8-D analog gain control.
