ไม่มีสินค้าในตะกร้า
FOCUSRITE Red 16Line ALL-IN-ONE INTERFACE 64-in/64-out และ 32X32 DANTE I/O
฿159,000 (รวม VAT 7% แล้ว)
เงื่อนไขและข้อตกลง
- เช็ค Stock สินค้ากับเจ้าหน้าที่ ก่อนสั่งซื้อทุกครั้ง
- รับสินค้าภายใน 3 - 7 วัน ( ขึ้นอยู่กับที่อยู่จัดส่ง )
- สงวนสิทธิ์การเปลี่ยนแปลงข้อมูล ราคา โดยไม่แจ้งให้ทราบล่วงหน้า
- สงวนสิทธิ์การรับผิดชอบเนื่องจากการพิมพ์ผิดพลาดต่างๆ
สินค้ารับประกัน
จากศูนย์ชั้นนำ
แบรนด์แท้ 100%
แบรนด์ชั้นนำ
ส่งฟรี!
ตามเงื่อนไข
ALL-IN-ONE INTERFACE FOCUSRITE Red 16Line 64-in/64-out และ 32X32 DANTE I/O เชื่อมต่อ Pro Tools | HD, Thunderbolt computers และ Dante ได้พร้อมกัน จากแบรนด์ FOCUSRITE
FOCUSRITE Red 16Line
64X64 ALL-IN-ONE INTERFACE, 32X32 DANTE I/O
64X64 ALL-IN-ONE INTERFACE, 32X32 DANTE I/O
Red 16Line is a 64-in/64-out Pro Tools | HD and dual Thunderbolt 3 audio interface with ultra-low latency A-D/D-A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio. Since Red 16Line provides both DigiLink™ connectors and Thunderbolt connections, it’s now easier than ever to switch from Pro Tools | HD to a second DAW, without the need to reconfigure option cards in the interface. Simply change the host mode either in the RedNet Control software, or on the device front panel and change DAWs in seconds.
The Easiest Way To Work In Pro Tools | HD™ And A Second DAW
Since Red 16Line provides both DigiLink™ connectors and Thunderbolt™ connections, it’s now easier than ever to switch from Pro Tools | HD™ to a second DAW, without the need to reconfigure option cards in the interface. Simply change the host mode either in the RedNet Control software, or on the device front panel and change DAWs in seconds.
Our Best Conversion
High-performance audio conversion with over 118dB dynamic range A-D and 121dB dynamic range D-A (A-weighted). These converters have been expertly selected and calibrated to provide the best balance of sound quality, dynamic range and conversion latency in our best-quality audio interface.
Revolutionise Your Workflow
Red’s ultra-low round trip latency completely transforms your workflow. If you’re used to having to build two different mixes – one using input monitoring to overdub, the other using the DAW for playback – the good news is that now, one is enough. Build your mix on the DAW and use it whether you’re overdubbing (monitoring the input you’re recording with the RedNet Control software mixer) or playing back, with all your plug-ins in place, all the time.
Extensive Analogue I/O
Red 16Line features 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs.
Two Of Our Best Preamps
The two digitally-controlled Red Evolution mic preamps provide up to 63dB of ultra-clean gain along with stereo linking, individual phantom power, high-pass filter, phase reverse and Air mode: the name we give to the sonic signature of the classic transformer ISA preamp.
Networked Audio-Enabled Out Of The Box
With dual-port Dante™ connectivity, you will be able to expand your studio over Ethernet for more channels at higher sample rates, anywhere in your network, at lower latency and lower cost.
Software Mixer With Hardware-Focused Workflow
RedNet Control is our software mixer designed primarily for ease of use in quickly setting up both simple and complex monitoring and routing configurations, together with the ability to control your preamps remotely.
The Sound Of Red Across Your Mix
Every Red interface comes with our Red 2 and Red 3 EQ and compression plug-ins. AAX/AU/VST-compatible, these plug-ins faithfully reproduce the sonic qualities of the original hardware, allowing you to take advantage of the classic Red sound – the sound of professional recording studios all over the world – across your entire mix.
The Focusrite Studio Console Reborn In Your DAW
The Focusrite Studio Console defined countless hits of the 80s and 90s, thanks in large part to its ISA 110 Equaliser and ISA 130 Dynamics Modules. Brainworx’s bx_console Focusrite plug-in brings you stunningly accurate emulations of both in a single plug-in, perfectly capturing the famously warm, open sound of two of the most revered pieces of studio hardware ever made.
คุณสมบัติ
- Connect to Pro Tools | HD, Thunderbolt computers and Dante simultaneously without option cards
- High-performance audio conversion with over 118dB dynamic range A/D and 121dB dynamic range D/A (A-weighted)
- Ultra-low round trip latency to track through plug-ins and record virtual instruments in real time
- 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs
- Two digitally-controlled Red Evolution mic preamps with up to 63dB of ultra-clean gain, stereo linking, individual phantom power, high-pass filter and phase reverse
- Air mode on the preamps, giving recordings the clarity of a transformer-based ISA
- Two Thunderbolt 3 ports as standard to connect additional Thunderbolt products
- Dual-port Dante card for more channels at higher sample rates
- Three LCD displays for highly accurate level metering
- RedNet Control software mixer for setting up monitoring and routing configurations, with remote control of preamps
- Two discrete high-fidelity headphone outputs
- Connect multiple digital sources using word clock I/O and loop-sync I/O
- Two instrument inputs on the front panel
- AAX/AU/VST-compatible Red 2 and Red 3 EQ and compression plug-ins
สเปค
SPECIFICATIONS
SYSTEM REQUIREMENTS
- Other
Internet connection for downloading and installing software and driver
SIMULTANEOUS INPUTS & OUTPUTS
- Channel Count
Up to 64 x 64
MICROPHONE INPUTS
- Gain Range
0-8dB to 63dB in 1dB steps
- Type
Electronically Balanced, Zin = 20kΩ
- Max. Input Level
>+19dBu, min gain
- Frequency Response
20Hz – 35kHz ±0.2dB
- THD + N
-102dB (0.0008%) @ -1dBFS
- EIN
<-129dBu ‘A’-Weighted (typical)
- Signal-To-Noise Ratio
119dB ‘A’-Weighted (typical)
- Common-Mode Rejection Ratio
50/60Hz CMRR: -70dB
- Phantom Power
+48V, independently switchable per channel.
- HPF
High-Pass Filter (HPF): -3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel
- Air Mode
2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz). Input impedance drop to 2.2kO
LINE INPUTS 1-16
- 0 DBFS Reference Level
+18 or +24dBu (switchable)
- Line Inputs 1-16 0 DBFS Reference Leve
+18 or +24dBu (switchable)
- Line Inputs 1-16 Type
Electronically Balanced, Zin = 20kO
- Line Inputs 1-16 Frequency Response
20Hz – 35kHz ±0.2dB
- Line Inputs 1-16 THD + N
-102dB (0.0008%) @ -1dBFS
- Line Inputs Signal-To-Noise Ratio
119dB ‘A’-Weighted (typical)
- Line Inputs 1-16 Common-Mode Rejection Ratio
50/60Hz CMRR: -70dB
INSTRUMENT INPUTS
- Instrument Inputs Gain Range
0-8dB to 63dB in 1dB steps
- Instrument Inputs Type
Zin = 2.3MO
- Instrument Inputs Max. Input Level
>+15dBu, min gain
- Instrument Inputs Frequency Response
20Hz – 35kHz ±0.2dB, min gain
- Instrument Inputs THD + N
-100dB (0.001%) @ -1dBFS (@ 11dB Gain)
- Instrument Inputs Signal-To-Noise Ratio
117dB ‘A’-Weighted (typical), min gain
- Instrument Inputs HPF
-3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel
- Instrument Inputs Air Mode
2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz)
LINE OUTPUTS 1-16
- Line Outputs 1-16 0 DBFS Reference Levels
+18 or +24dBu (switchable)
- Line Outputs 1-16 Frequency Response
20Hz – 35kHz ±0.2dB
- Line Outputs 1-16 THD + N
<-104dB (0.0006%) unweighted, 20Hz – 20kHz; -1dBFS input
- Line Outputs 1-16 Dynamic Range
121dB ‘A’-weighted (typical), 20Hz – 20kHz
- Line Outputs 1-16 Output Impedance
Nominal output impedance = 136O balanced (68O each phase)
MONITOR OUTPUTS
- Monitor Outputs 0 DBFS Reference Levels
+18dBu
- Monitor Outputs Frequency Response
20Hz – 35kHz ±0.2dB
- Monitor Outputs THD+N
-80dB (0.01%) unweighted, 20Hz – 20kHz; -1dBFS input
- Monitor Outputs Dynamic Range
120dB (A-Weighted)
- Monitor Outputs Output Impedance
Nominal output impedance = 136O balanced (68O each phase)
HEADPHONE OUTPUTS
- Headphone Outputs 0 DBFS Reference Levels
+16dBm ± 0.5dB
- Headphone Outputs Frequency Response
20Hz – 20kHz ±0.2dB
- Headphone Outputs THD + N
<-75dB (0.018%) unweighted, 20Hz – 20kHz
- Headphone Outputs Dynamic Range
114dB ‘A’-weighted (typical), 20Hz – 20kHz
- Headphone Outputs Output Impedance
10O
- Headphone Outputs Headphone Impedance
32O – 600O
MICROPHONE CROSSTALK
- Mic Input To Input
< -80dB; 20Hz – 20kHz (driven channel at -20dBFS)
- Mic Input To Output
< -130dB; 20Hz – 20kHz (driven channel at -20dBFS)
- Output To Mic Input
< -165dB; 20Hz – 20kHz (driven channel at -20dBFS)
LINE CROSSTALK
- Line Input To Line Input
< -100dB; 20Hz – 20kHz (driven channel at -20dBFS)
- Line Input To Output
< -150dB; 20Hz – 20kHz (driven channel at -20dBFS)
- Output To Line Input
< -150dB; 20Hz – 20kHz (driven channel at -20dBFS)
OUTPUT CROSSTALK
- Output To Output
< -95dB; 20Hz – 20kHz (driven channel at -20dBFS)
HEADPHONE CROSSTALK
- Headphone To Headphone
< -95dB; 20Hz – 20kHz (driven channel at -20dBFS)
DIGITAL PERFORMANCE
- Supported Sample Rates
44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz (-4% / -0.1% / +0.1% / +4.167%) at 24 bit
- Clock Sources
Internal, ADAT 1, ADAT 2, S/PDIF, Word Clock, Loop Sync or from Dante Network Master
FRONT PANEL CONNECTIVITY INSTRUMENT INPUTS
- Instrument Inputs Channel Count
2 Channels In
- Instrument Inputs Instrument Inputs
2 x 1/4″ TS stereo jack
FRONT PANEL CONNECTIVITY HEADPHONE OUTPUTS
- Headphone Outputs Channel Count
2 Stereo Channels Out
- Headphone Outputs Headphone Outputs
2 x 1/4″ TRS stereo jack
REAR PANEL CONNECTIVITY THUNDERBOLT
- Thunderbolt Channel Count
Up to 64 In and 64 Out
- Thunderbolt Ports
2 x Thunderbolt 3 Ports (Primary Port 1 and Primary Port 2)
REAR PANEL CONNECTIVITY PRO TOOLS
- Pro Tools Channel Count
Up to 64 In and 64 Out (32 In and 32 Out per connection)
- Primary Port
2 x Mini DigiLink
REAR PANEL CONNECTIVITY DANTE
- Dante Channel Count
Up to 32 In and 32 Out
- Dante Input And Output
2 x ethernet standard RJ45 connectors (Compatible with Cat 5e and above).
REAR PANEL CONNECTIVITY MIC INPUTS
- Mic Inputs Channel Count
2 In
- Mic Input
2 x Female XLR
REAR PANEL CONNECTIVITY LINE LEVEL
- Line Level Channel Count
16 In and 16 Out
- Line Level Input
2 x DB-25 connectors (AES59)
- Line Level Ouput
2 x DB-25 connectors (AES59)
REAR PANEL CONNECTIVITY ADAT
- ADAT Channel Count
Up to 16 In and 16 Out
- ADAT Input
2 x TOSLINK connector
- ADAT Output
2 x TOSLINK connector
- ADAT Channel Assignments @ 44.1 KHz, 48 KHz
Port 1 = Channels 1 – 8 , Port 2 = Channels 9 – 16
- ADAT Channel Assignments @ 88.2 KHz, 96 KHz
SMUXI: Port 1 = Channels 1 – 4, Port 2 = Channels 5 – 8
- ADAT Channel Assignments @ 176.4 KHz, 192 KHz
SMUXII: Port 1 = Channels 1 – 2 , Port 2 = Channels 3 – 4
REAR PANEL CONNECTIVITY S/PDIF
- S/PDIF Channel Count
2 In and 2 Out (Optical up to 96kHz)
- S/PDIF Input
1 x RCA phono socket (1 x TOSLINK up to 96kHz)
- S/PDIF Ouput
1 x RCA phono socket (1 x TOSLINK up to 96kHz)
REAR PANEL CONNECTIVITY MONITOR OUTPUTS
- Monitor Outputs Channel Count
2 Out
- Montor Outputs
2 x 1/4″ TRS stereo jack
REAR PANEL CONNECTIVITY LOOP SYNC
LOOP SYNC
- Loop Sync Input
1 x BNC 75O port
- Loop Sync Output
1 x BNC 75O port
WORLD CLOCK
- World Clock Input
1 x BNC 75O port
- World Clock Output
1 x BNC 75O port
PSU
- PSU
1 x IEC Input
FRONT PANEL INDICATORS
- OLED Screens
3 x Screens (menus and metering)
DIMENSIONS
- Height
44mm/ 1.73″
- Width
483mm/ 19.02″
- Depth (Chassis Only)
340mm/ 13.39″
WEIGHT
- Weight
5.04kg
POWER
- Power PSU
1 x Internal, 100-240V, 50/60Hz, consumption 120W.
HEAT PERFORMANCE
- Operating Temperature
Operates at up to an ambient temperature of 40 degrees Celcius
Fan
Dual fan
| น้ำหนัก | 5.04 kg |
|---|---|
| ขนาด | 340 × 483 × 44 mm |
| ยี่ห้อ |
สินค้าที่เกี่ยวข้อง
สินค้าหมด
฿12,900 (รวม VAT 7% แล้ว)
฿17,670 (รวม VAT 7% แล้ว)
฿21,900 (รวม VAT 7% แล้ว)
-25%
฿7,050 (รวม VAT 7% แล้ว)
คุณอาจจะชื่นชอบ…
฿89,900 (รวม VAT 7% แล้ว)
฿140,000 (รวม VAT 7% แล้ว)
฿196,000 (รวม VAT 7% แล้ว)
฿109,000 (รวม VAT 7% แล้ว)
