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FOCUSRITE Red 8Pre Audio Interface 64-in/64-out สำหรับ Pro Tools | HD™ And Thunderbolt™ 2 Workflows
฿140,000 (รวม VAT 7% แล้ว)
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Audio Interface FOCUSRITE Red 8Pre 64-in/64-out สำหรับ Pro Tools | HD™ And Thunderbolt™ 2 Workflows และการเชื่อมต่อผ่าน IP แบบ 32×32 Dante จากแบรนด์ FOCUSRITE
FOCUSRITE Red 8Pre
64×64 Premium Audio Interface
64×64 Premium Audio Interface For Pro Tools | HD™ And Thunderbolt™ 2 Workflows, Featuring Eight Red Evolution Mic Pres And 32×32 Dante™ Audio-Over-IP Connectivity
Red 8Pre features both Thunderbolt 2 connectivity and dual mini-DigiLink ports allowing you the best of both Core Audio and Pro Tools | HD workflows. Take Red 8Pre on the road for location recording over Thunderbolt then connect the same interface to Pro Tools|HDX or Pro Tools|HD Native back at the studio for mixdown. Switch easily between Pro Tools | HD and any Thunderbolt-connected DAW with Host Mode. The combination of low-latency conversion and driver technology allows real-time foldback mixes to be created in the DAW while you continue to use your native plug-ins. Unlike many interfaces, both mini-DigiLink and Thunderbolt 2 connectivity comes as standard, so there’s no need to buy an additional option card.
Eight Red
Evolution Mic Pres
Focusrite’s Red Evolution mic pres draw on many decades of design prowess as well as many of the elements behind the incredibly popular RedNet mic pre used in many studios, broadcast facilities and live performances around the world. The digitally-controlled mic pres deliver a clear and honest sound with very low noise and plenty of gain available for the most-quiet of sources. They can be controlled from the front panel or remotely over Thunderbolt using RedNet Control. Additionally the mic pre settings can be saved and recalled allowing you to quickly re-setup for your next session. They also include our unique ‘Air’ effect, recreating the sound of the transformer-based mic preamps in the ISA and original Red ranges. When ‘Air’ is enabled, the microphone impedance is lowered and the sound is given a subtle mid-high boost – all in the analogue domain.
Parallel Path Conversion
Focusrite has been designing digital converters for over 20 years. From the original Blue 245 and 260 mastering-grade A-D and D-A, through the Liquid Channel and more recently RedNet, digital conversion is a key part of our design heritage and philosophy. Every converter we design starts with the same objectives: low latency, high dynamic range and a flat, wide frequency response. Red 8Pre’s conversion achieves just that, lightning fast performance, a dynamic range of 118dB A-D and 121dB D-A and a flat response to 35kHz. By using “parallel path summing” we have achieved even greater noise-performance than ever.
Room For Expansion
While Red 8Pre has enough I/O for many scenarios, sometimes more is needed. That’s why Red 8Pre includes two ADAT ports, for up to 16 additional inputs and outputs. Simply connect any ADAT equipment, such as the Focusrite Octopre, using light pipes. However in today’s modern studio, audio networking is taking over. Focusrite’s RedNet range is the world’s most popular modular audio-over-IP platform. We’ve brought some of that technology to Red 8Pre, allowing up to 32 channels of Dante inputs and outputs to be connected. Simply plug in an Ethernet cable and add additional mic pres or line I/O with ease. Alternatively arrive at the studio or venue and simply connect one Ethernet cable to Red 8Pre to gain access to the whole network. The possibilities are huge.
Hugely Flexible
Since Red 8Pre allows the user to assign any physical input or output to any driver/Pro Tools|HD channel, it’s easier than ever to customise the interface layout and integrate hardware inserts. Simply open RedNet Control software and reallocate the channels as required.
Simple Switching
Between DAWs
Switch between Pro Tools | HD and a DAW connected to the Thunderbolt interface using the Host Mode setting in the included RedNet Control software. For example, you can switch quickly and easily between Pro Tools | HD and Ableton, Logic or Pro Tools software – just keep both connected at all times and make the switch whenever you need.
Ultra-Low Latency
Monitoring latency is the enemy of any performer and if the performance isn’t excellent, the final mix won’t be either. By utilising the lowest-latency conversion available, coupled with a high-performance Core Audio driver, Red 8Pre’s analogue round trip latency is kept to an exceptionally low minimum of 1.67ms.
Included Software
Red 8Pre includes the new RedNet Control software, providing a straightforward and intuitive way to set up mixes and monitoring – and more! Control the mic pres – recall settings, assign stereo pairs, adjust gain and enable features such as highpass filtering and phantom power. Switch quickly between Pro Tools | HD and a Thunderbolt-connected DAW with the Host Mode setting. In addition, Red 8Pre is packaged with Softube’s Time and Tone Bundle – a unique plug-in pack including four of Softube’s professional quality plug-ins: Drawmer S73 Intelligent Master Processor, TSAR-1R Reverb, Tube Delay and Saturation Knob. Also in the box is the Focusrite Red Plug-in Suite, which accurately models Focusrite’s classic Red range 2 and 3 equaliser and compressor hardware.
The Focusrite Studio Console Reborn In Your DAW
The Focusrite Studio Console defined countless hits of the 80s and 90s, thanks in large part to its ISA 110 Equaliser and ISA 130 Dynamics Modules. Brainworx’s bx_console Focusrite plug-in brings you stunningly accurate emulations of both in a single plug-in, perfectly capturing the famously warm, open sound of two of the most revered pieces of studio hardware ever made.
สเปค
SPECIFICATIONS
SIMULTANEOUS INPUTS & OUTPUTS
- Channel Count
Up to 64 x 64
SYSTEM REQUIREMENTS
- Computer
Apple Mac with at least one Thunderbolt or Thunderbolt 2 port (2m Thunderbolt cable included)
- Other
Internet connection for downloading and installing software and driver
MICROPHONE INPUTS
- Gain Range
0-8dB to 63dB in 1dB steps
- Type
Electronically Balanced, Zin = 6.2kΩ
- Max. Input Level
+19dBu ±0.5, min gain
- Min. Input Level
-44dBu ±0.5
- Frequency Response
20Hz – 35kHz ±0.2dB, min gain
- THD + N
-101dB (0.0009%) @ -1dBFS (@ 11dB Gain)
- EIN
-129dBu ‘A’-Weighted (typical)
- Signal-To-Noise Ratio
119dB ‘A’-Weighted (typical), min gain
- Common-Mode Rejection Ratio
50/60Hz CMRR: -70dB
- Phantom Power
+48V, independently switchable per channel.
- HPF
High-Pass Filter (HPF): -3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel
- Air Mode
2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz). Input impedance drop to 2.2kΩ
LINE INPUTS 1-8
- Line Inputs 1-8 Type
Electronically Balanced, Zin = 10kΩ
- Line Inputs 1-8 Max. Input Level
+27dBu ±0.5, min gain
- Line Inputs 1-8 Min. Input Level
-36dBu ±0.5
- Line Inputs 1-8 Frequency Response
20Hz – 35kHz ±0.2dB, min gain
- Line Inputs 1-8 THD + N
-101dB (0.0009%) @ -1dBFS (@ 11dB Gain)
- Line Inputs Signal-To-Noise Ratio
119dB ‘A’-Weighted (typical), min gain
- Line Inputs Common-Mode Rejection Ratio
50/60Hz CMRR: -70dB
- Line Inputs 1-8 HPF
High-Pass Filter (HPF): -3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel
- Line Inputs 1-8 Air Mode
2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz)
LINE INPUTS 9-16
- Line Inputs 9 – 16 0 DBFS Reference Level
+27dBu ±0.5
- Line Inputs 9 – 16 Type
Electronically Balanced, Zin = 20kΩ
- Line Inputs 9 – 16 Frequency Response
20Hz – 35kHz ±0.2dB
- Line Inputs 9 – 16 THD + N
-104dB (0.0006%) @ -1dBFS
- Line Inputs 9 – 16 Signal-To-Noise Ratio
119dB ‘A’-Weighted (typical)
- Line Inputs 9 – 16 Common-Mode Rejection Ratio
50/60Hz CMRR: -70dB
INSTRUMENT INPUTS
- Instrument Inputs Gain Range
0-8dB to 63dB in 1dB steps
- Instrument Inputs Type
Zin = 2.3MΩ
- Instrument Inputs Max. Input Level
+15dBu ±0.5, min gain
- Instrument Inputs Min. Input Level
-48dBu ±0.5
- Instrument Inputs Frequency Response
20Hz – 35kHz ±0.2dB, min gain
- Instrument Inputs THD + N
-94dB (0.002%) @ -1dBFS (@ 11dB Gain)
- Instrument Inputs Signal-To-Noise Ratio
117dB ‘A’-Weighted (typical), min gain
- Instrument Inputs HPF
-3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel
- Instrument Inputs Air Mode
2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz)
LINE OUTPUTS 3-18
- Line Outputs 3-18 0 DBFS Reference Levels
+18dBu ±0.5
- Line Outputs 3-18 Frequency Response
20Hz – 35kHz ±0.2dB
- Line Outputs 3-18 THD + N
<-102dB (0.0008%) unweighted, 20Hz – 20kHz; -1dBFS input
- Line Outputs 3-18 Dynamic Range
121dB ‘A’-weighted (typical), 20Hz – 20kHz
- Line Outputs 3-18 Output Impedance
Nominal output impedance = 136Ω balanced (68Ω each phase)
MONITOR OUTPUTS
- Monitor Outputs Frequency Respone
20Hz – 35kHz ±0.2dB
- Monitor Outputs Dynamic Range
+120dB (A-Weighted)
- Monitor Outputs Maximum Output Level (0 DBFS)
+18dBu ±0.5
- Monitor Outputs THD+N
<-78dB (0.0012%) unweighted, 20Hz – 20kHz; -1dBFS input
- Monitor Outputs Stereo Level Balance
±0.02dB @ 997Hz
- Monitor Outputs Output Impedance
Nominal output impedance = 136Ω balanced (68Ω each phase)
HEADPHONE OUTPUT
- Headphone Output 0 DBFS Reference Levels
+16dBm ± 0.1dB
- Headphone Output Frequency Response
20Hz – 20kHz ±0.2dB
- Headphone Output THD + N
<-75dB (0.018%) unweighted, 20Hz – 20kHz
- Headphone Output Stereo Level Balance
±0.05dB @ 997Hz
- Headphone Output Dynamic Range
114dB ‘A’-weighted (typical), 20Hz – 20kHz
- Headphone Output Impedance
10Ω
- Headphone Impedance
32Ω – 600Ω
MICROPHONE CROSSTALK
- Mic Input To Input
< -70dB; 20Hz – 20kHz (driven channel at -20dBFS)
- Mic Input To Output
< -100dB; 20Hz – 20kHz (driven channel at -20dBFS)
- Output To Mic Input
< -130dB; 20Hz – 20kHz (driven channel at -20dBFS)
LINE CROSSTALK
- Line Input To Line Input
< -60dB; 20Hz – 20kHz (driven channel at -20dBFS)
- Line Input To Output
< -100dB; 20Hz – 20kHz (driven channel at -20dBFS)
- Output To Line Input
< -115dB; 20Hz – 20kHz (driven channel at -20dBFS)
OUTPUT CROSSTALK
- Output To Output
< -100dB; 20Hz – 20kHz (driven channel at -20dBFS)
HEADPHONE CROSSTALK
- Headphone To Headphone
< -75dB; 20Hz – 20kHz (driven channel at -20dBFS)
DIGITAL PERFORMANCE
- Supported Sample Rates
44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz at 24 bit
- Clock Sources
Internal, ADAT, S/PDIF, Word Clock, Loop Sync or from Dante Network Master
HEADPHONE OUTPUTS
- Headphone Outputs Channel Count
2 Stereo Channels Out
- Headphone Outputs Headphone Outputs
2 x 1/4″ TRS stereo jack
THUNDERBOLT
- Thunderbolt Channel Count
Up to 64 In and 64 Out
- Thunderbolt Ports
2 x Thunderbolt Ports (Primary Port 1 and Primary Port 2)
PRO TOOLS
- Pro Tools Channel Count
Up to 64 In and 64 Out (32 In and 32 Out per connection)
- Primary Port
2 x Mini DigiLink
DANTE
- Dante Channel Count
Up to 32 In and 32 Out
- Dante Input And Output
2 x ethernet standard RJ45 connectors (Compatible with Cat 5e and above).
MIC INPUTS
- Mic Inputs Channel Count
8 In
- Mic Inputs
1 x DB-25 connectors (AES59)
LINE LEVEL
- Line Level Channel Count
16 In and 16 Out
- Line Level Input
2 x DB-25 connectors (AES59)
- Line Level Outputs
2 x DB-25 connectors (AES59)
ADAT
- ADAT Channel Count
Up to 16 In and 16 Out
- ADAT Input
2 x TOSLINK connector
- ADAT Output
2 x TOSLINK connector
- Channel Assignments @ 44.1 KHz, 48 KHz
Port 1 = Channels 1 – 8 , Port 2 = Channels 9 – 16
- Channel Assignments @ 88.2 KHz, 96 KHz
SMUXI: Port 1 = Channels 1 – 4, Port 2 = Channels 5 – 8
- Channel Assignments @ 176.4 KHz, 192 KHz
SMUXII: Port 1 = Channels 1 – 2 , Port 2 = Channels 3 – 4
S/PDIF
- S/PDIF Channel Count
2 In and 2 Out (Optical up to 96kHz)
- S/PDIF Inputs
1 x RCA phono socket (1 x TOSLINK up to 96kHz)
- S/PDIF Outputs
1 x RCA phono socket (1 x TOSLINK up to 96kHz)
LOOP SYNC
- Loop Sync Input
1 x BNC 75Ω port
- Loop Sync Output
1 x BNC 75Ω port
WORLD CLOCK
- World Clock Input
1 x BNC 75Ω port
- World Clock Output
1 x BNC 75Ω port
PSU
- PSU
1 x IEC Input
FRONT PANEL INDICATORS
- OLED Screens
3 x Screens (menus and metering)
DIMENSIONS
- Dimensions Height
44mm/ 1.73″
- Dimensions Width
483mm/ 19.02″
- Dimensions Depth (Chassis Only)
340mm/ 13.39″
WEIGHT
- Weight
5.14kg
POWER
- Power PSU
1 x Internal, 100-240V, 50/60Hz, consumption 65W.
FRONT PANEL INSTRUMENT INPUTS
- Instrument Inputs Channel Count
2 Channels In
- Instrument Inputs Instrument Inputs
2 x 1/4″ TS stereo jack
MONITOR OUPUTS
- Monitor Outputs Channel Count
2 Out
- Monitor Outputs
2 x 1/4″ TRS stereo jack
| น้ำหนัก | 5.14 kg |
|---|---|
| ขนาด | 340 × 483 × 44 mm |
| ยี่ห้อ |
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