MACKIE DL1608 เครื่องผสมสัญญาณเสียง ดิจิตอล 16 ชาแนล 16 ไมค์

16-Channel Digital Live Sound Mixer

• 16 Onyx” mic preamps
• Eight balanced outputs
• High-end Cirrus Logic‘P converters
• Ultra low-noise, high-headroom design
• Rugged, compact desktop design with iPadP clock
• Rackmountable with optional kit

Flexible Wireless or Docked Control

• Mix wirelessly from anywhere in the venue from your iPad

Unmatched wireless control over mix

Supports up to 20 iOS devices at once

Personal monitor mixing via iPhone‘” or iPod touch9

• Dock your iPad for added features and security

Creates an integrated, self-contained desktop mixer

Total control over assignable 2-channel recordings for immediate playback and easy exporting

Playback music from any iPad app and incorporate into the mix

Always keep your iPad charged

PadLock“ feature locks down iPad for security

industry standard Kensington lock secures mixer

iPad Air 2, iPad Air and iPad (4th generation) docking compatibility

Optional iPad mini docking tray available

Master Fader Control App

• Proven, intuitive workflow that’s customizable for your application

Create view groups and see only the channels you need

Unique access limiting hides controls you aren’t using

• Export presets, shows and complete system backups via Dropbox, email and more using iOS system sharing
• Quick setup with tons of factory and user-definable presets
• Complete offline operation saves setup time at gig
• The most frequently updated mixing app on the market

Professional, Comprehensive DSP

• Packed with more DSP processing than any other compact mixer
• 18 input channels with 4-band PEQ + HPF, gate and compression

16 stereo-linkable input channels

2 stereo-Iinkable iPad return channels”

• 12 output busses with 4-band PEQ + HPF/LPF, 31-band GEQ, comp/limiter, alignment delay and RTA

6 stereo-Iinkable aux sends

4 stereo-linkable subgroups“

Main L/ R busses

• 4 VCAs and 4 mute groups
• 2 stereo FX processors with dedicated sends and returns
• Choice of powerful, touch-sensitive modern and vintage plug-ins

General Digital

• Sample Rate: 48 kHz
• A/D/A Bit Depth: 24-bit
• System Latency: 1.5 ms

Frequency Response

All Inputs to all outputs: :0, -1 dB. 20 Hz to 20 kHz

Distortion (THD)

• Mic Input to main output, 1 kHz. -1 dBFS: <0.005%

Noise / Dynamic Range / Signal-to-Noise Ratio

• Equivalent Input Noise (EIN)
• 150 Q termination: -128 dBu
• Mic Input to main output (A-welghted)

Channel and main laders at unity: -79 dBu

Faders down: -90 dBu

• Crosstalk

Adjacent Inputs: <—120 dB @ 1 kHz

Outputs: <-105 dB @ 1 kHz

• Phones level pot leedthrough @ minimum travel: <-75 dB
• SIgnal-to-Noise Ratio
• SIgnal-to-Noise Ratio
• (rel +4 dBu, one channel and main lader at unity,
• A-welghted): 92 dB
• Dynamic Range

(One channel and main iader at unity, A-weighted): 109 dB

CMRR: >70 dB @ 1 kHz (60 dB gain)

Analog Inputs 1-16

• Connectors

1-1 2: XLR Balanced

13-16: Combo XLR / TRS Balanced

• XLR Mic Pre: Onyx
• Input impedance

1-1 2: 3 k9

13-16: 3 kn mic [XLR] 30 kfl line [1/4″]

• Max input Level

XLR: +21 dBu

1/4″: +30 dBu

• Gain

XLR: 0 to 60 dB

1/4“: -20 to 40 dB

• 48V Phantom Power (XLR):

48 VDC, 10 mA max per mic,

with up to eight simultaneously.

5 mA max per mic,

with up to 16 simultaneously.

Analog Main Out L/R

• Connectors: XLR Balanced
• Output Impedance: 600 (2
• Max Output Level: +21 dBu

Analog Aux Sends 1-6

• Connectors: 1/4″ TRS impedance Balanced

(Supports balanced / unbalanced operation)

• Output Impedance: 240 Q Balanced

120 5’2 Unbalanced

• Max Output Level: +21 dBu

Analog Headphone Out

• Connector: 1/4′ TRS Stereo
• Max Output Level: +18 dBu into 600 Ohm

+195 dBu max into 100 Ohm

Networking

• Connector: 100 MB Ethernet
• Control: Complete
• Simultaneous Control: 20 I03 Devices