มิกเซอร์ อนาล็อก YAMAHA MG06 แบบ 6 ชาแนล YAMAHA MG06 เครื่องผสมสัญญาณเสียง อนาล็อก จากแบรนด์ YAMAHA
YAMAHA MG06 Analog Mixer 6 Input (2 mono + 2 stereo) 1 Stereo Bus
- มิกเซอร์ขนาด 6 อินพุท (2 โมโน และ 2 สเตอริโอ)(D-PRE)
- ช่องเอาท์พุทแบบ XLR และ TRS
- สวิทช์ PAD สำหรับช่องสัญญาณโมโน
- มีไฟ 48 โวลท์ สำหรับไมค์คอนเดนเซอร์
ถูกออกแบบมาเพื่อเก็บรายละเอียดของเสียงต้นฉบับได้อย่างครบถ้วน ด้วยวงจร Discrete Inverted Darlington แบบคู่ ที่ให้เสียงสะอาด เที่ยงตรงและสัญญาณรบกวนต่ำ ปราศจากความผิดเพี้ยนของสัญญาณเสียง
Yamaha has always strived to provide sound engineers with the purest possible signal instead of added processing or color to give it a “signature” sound, and the MG Series is no exception. Embracing this philosophy of transparent sound, these mixing consoles deliver a level of sonic purity and sound quality that is unmatched in their class.
When was the last time you heard guitar without EQ or a completely unprocessed vocal on one of your favorite songs? Probably never. Yamaha mixers are famous for their flat response and sonic purity, but it often takes more than a perfectly-captured instrumental performance or vocal to achieve a professional-sounding mix. Equipped with some of the same state-of-the-art functionality featured on Yamaha’s high-end consoles, the MG Series gives you the tools you need to produce high quality sound that is uniquely your own.
For gigging, recording, and installed applications alike, your console can be subjected to a wide range of environmental conditions and hazards. Excessive humidity, unstable power supplies, and the rigors of road travel in general can take a serious toll on a mixing console, often causing expensive, time-consuming repairs, and reducing its lifespan. The MG Series has been redesigned with an emphasis on durability, incorporating practical features that offer greater flexibility while ensuring peak performance for many years to come.
- 6-Channel Mixing Console
- Max. 2 Mic / 6 Line Inputs (2 mono + 2 stereo)
- 1 Stereo Bus
- “D-PRE” mic preamps with an inverted Darlington circuit
- XLR balanced outputs
- PAD switch on mono inputs
- +48V phantom power
- Metal chassis
- Dimensions(W×H×D): 149 mm x 62 mm x 202 mm (5.9″x 2.4″x 7.9″)
- Net Weight: 0.9 kg (1.98 lbs.)
Outline
| I/O | Phantom power | +48 V |
| Input Channels | Mono[MIC/LINE] | 2 |
| Stereo[LINE] | 2 | |
| Output Channels | STEREO OUT | 2 |
| PHONES | 1 | |
| Bus | Stereo: 1 | |
| Input Channel Function | PAD | 26 dB (Mono) |
| HPF | 80 Hz, 12 dB/oct (Mono) | |
| EQ HIGH | (Mono) Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving | |
| EQ LOW | (Mono) Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving | |
| PEAK LED | LED turns on when post EQ signal reaches 3 dB below clipping | |
| Level Meter | 2 x 7 -segment LED meter [PEAK, +6, +3, 0, -3, -10, -20 dB] | |
General specifications
| Total harmonic distortion | 0.01 % @ +8dBu (20 Hz to 20kHz), GAIN knob: Min, 0.003 % @ +18dBu (1kHz), GAIN knob: Min | |
| Frequency response | +0.5 dB/-0.5 dB (20 Hz to 20 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min | |
| Hum & noise level | Equivalent input noise | -128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max) |
| Residual output noise | -102 dBu (STEREO OUT, STEREO LEVEL knob: Min) | |
| Crosstalk | -88 dB | |
| Power requirements | PA-130 (DC12 V/1.0 A, Cable length = 1.8 m), 120 V, 60 Hz, MU18 (DC12 V/1.5 A, Cable length = 1.5 m), 100 V-240 V, 50 Hz/60 Hz or equivalent recommended by Yamaha | |
| Power consumption | 12 W | |
| Dimensions | W | 149 mm (5.9″) |
| H | 62 mm (2.4″) | |
| D | 202 mm (7.9″) | |
| Net weight | 0.9 kg (1.98 lbs.) | |
| Accessories | Included Accessory: AC Adaptor, Owner’s Manual, Technical Specifications, Optional Accessory: Mic Stand Adaptor BMS-10A | |
| Others | Operating Temperature: 0 to +40˚C | |
